Wally wood art12/27/2023 Cannon and Sally Forth movies would be fun.My appreciation for Wally Wood is complex and contradictory, much like the man himself. I think my grandest hopes for expanding Wood’s legacy would be something with Hollywood. We’d be interested in new comics with Wood characters, apps, and video games. We’re very happy with that and urge people to honor Wally by donating to that fund. In 2005, Wally’s brother Glenn and I founded a Wood Scholarship Fund at Wally’s alma mater, The School of Visual Arts in New York. ![]() We’d like to be more active in the statues and toys markets, too. And I had a chat with an important Hollywood contact just yesterday. We’re in discussions with Graphitti Designs about T-shirts, with Fantagraphics about a Witzend collection, and with foreign publishers about translated editions. DC and EC and Marvel continue to generate new editions of Wood works. Through Vanguard, there’s recently been his Strange Worlds of Science Fiction collection, a new edition of his Lunar Tunes graphic novel, and even an upcoming Character Collection book.īut my connection to Vanguard in no way means that everything will go through Vanguard. So what are your new duties as Wood’s estate director? It’s an historical horror-fantasy starring Cleopatra and Mark Antony! I really can’t pick a favorite genre but I will mention one of my favorite stories, “To Kill A God” from Vampirella magazine. ![]() Whether horror for EC, humor for Mad or Plop, war comics for DC or Gold Key, science fiction magazine illustrations, his Wizard King trilogy of fantasy graphic novels, superheroes for Marvel, cheesecake, romance, or westerns, whatever genre one picks, Wood’s contribution is among the finest ever. That is one of the things that make him unique. In nearly all of his work – no matter how overworked he was – even when he did risque material, there was always a charm, and he imbued the work with a purity of love for the medium.Īnd he was a master of every genre. On rare occasion he’d also pop up in one of the black and white Warren horror magazines. Agents, and him in the Mad paperback collections all about the same time, there in 1965–’67. I caught Wood’s Daredevil, and his heyday at Tower with T.H.U.N.D.E.R. Wood revamped DD in a high-tech equipped, ominous, devilish dark red outfit, somewhat like we saw in the movie with Ben Affleck so many years later. I like to say he put the “devil” into Daredevil, as the early, Bill Everett version was more like a circus daredevil in black and yellow tights. David Spurlock: When I was very young, right when I first started reading comics, was when Woody left Mad and went to re-create Daredevil for Marvel. Michael Dooley: How’d you first encounter Wood’s work? I took this opportunity to congratulate David and to chat about the man he calls “a pop culture icon.” He’s also the founder and publisher of Vanguard Productions, which prints books on art and the careers of artists. David began his career as an artist-writer but has become better known as an agent and creator rights advocate. David Spurlock was appointed director of the Wallace Wood Estate. ![]() In other Wood news, just a few days ago author J. ![]() Among the most spectacular products are two deluxe books: IDW ‘s oversize Wally Wood’s EC Stories: Artist’s Edition, just released and already sold out of its first print run, and Came the Dawn and Other Stories by Wally Wood, from Fantagraphics, scheduled for summer. Only now, three decades later, is his story heading toward a happy ending, with a burst of renewed interest in his work. But his personal life was a drama verging on tragedy and culminating with his suicide in 1981. I originally came to know Wally Wood for his comical comics, mainly his acclaimed work for Mad back in its 1950s, pre-magazine incarnation.
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